I’ve been shooting interior photography now for the last decade. The equipment in this post is a result of all the trial and error over that time to find the right interior photography gear.
The interior photography kit which is in my bag this year is:
I’ve only recently upgraded to the EOS R after using a Canon 1Ds mkiii for the last 12 years. It hasn’t been that well received by many of the “mainstream” review sites but for interior photography, it has everything I need without all the bells and whistles.
I always carry a backup with me and the 80d is my current backup until Canon add a “professional” body to the EOS lineup.
I chose it because it shoots video really well, which is great for BTS bits and the crop sensor can actually come in handy sometimes with longer lenses.
Spare batteries are essential – there is nothing worse than powering up your camera to see the battery sign flashing. Making sure you have multiple (charged) spares will get you out of any potentially shoot ruining situations.
The EOS R and 80D both take the LP-E6N battery which is really handy!
I got this to pair with the 17mm TS-e, creating a poor man’s version of the 24mm TS-E.
There is a slight dip in quality when you’re really pixel peeping, but if you didn’t know it was there I doubt anybody else would realise.
I’m a massive fan of the quality of the light which comes out of the Hensel lights.
They are a little more expensive than other lights and are a pain to get hold of in the UK, but they’re worth every penny for me.
The colour consistency and output is spot on every time, which is worth that extra initial outlay.
If you can trust your lights and know exactly what they’re going to do, it will help you to work much faster and produce a higher quality of work.
This little generator turns the Hensel lights into portable flash units, so if you’re looking to work quickly or can’t get power to your lights – i.e. if you need to put them outside of a window – this helps you do it.
They give you plenty of power – usually around 400 flashes from a 500w head – so two batteries should see you through a full day’s shooting.
This is my current go-to tripod. It’s carbon fibre so weighs next to nothing and is super solid, i’ve had times when i’ve been in strong winds and expected this thing to fly away but it just takes it.
Sunwayfoto GH-PRO Geared Head
If you can’t afford the Arca Swiss cube which seems to be the standard interior photography head then pick one of these up. It weighs less than a kg and gives you all the functionality of a geared head in a much cheaper package.
I’ve had mine around 18 months now and it still works perfectly.
The Cam Ranger is something which I carry but I don’t always use. Having the ability to shoot tethered in Capture One negatives many of its positives, but if I know I’m going to be more than 10 feet away from the camera or I want to travel light, then this comes in really handy.
The same as every other tethering cable, except it’s bright orange. This may sound like a marketing ploy but if you’ve ever been on set and tripped over a wire you couldn’t see, you will appreciate it.
A polarising filter is a great investment for interior photography, allowing you to eliminate any unwanted polarised light which could be bouncing off a surface or reflections in glass.
This is a great way of transporting gear without it looking too obvious if you know you’re going to be in an area you don’t want to be screaming that you’re a photographer.
This is the smallest in the series but still easily fits a couple of lenses and 2 cameras in the back with an Ipad and all my filters etc in the front.
If I’m travelling any further or need to take lights with me, I take a Pelican case with me.
I have a few different sizes, but it’s nearly always the 1510 that comes with me, it’s small enough to not be a pain to move and has wheels and a pull out handle too making it easy to get around too.
So that’s what’s inside my interior photography kit bag, what’s in yours? Pop a comment below if there is something you couldn’t do without!